| Refresh Rate (Core Spec) |
3840 refresh cycles/sec |
7680 refresh cycles/sec (+100%) |
| Frames Refresh Count (@60fps) |
~64 refresh cycles per frame |
~128 refresh cycles per frame |
| Scan Line Risk (High Shutter) |
Fine at ≤1/250s; slight scan lines may appear under fast shutter |
No scan lines even at 1/1000s high-speed shutter |
| Camera Shutter Compatibility |
Best range: 1/50 – 1/250 |
Full stable range: 1/50 – 1/2000+ |
| Slow Motion Shooting (120/240fps) |
Minor flicker / brightness stepping may appear |
Smooth playback, no visible artifacts |
| Grayscale Performance |
14–16 bit standard processing |
16–22 bit high-end processing support |
| Low Brightness Performance (<20%) |
Possible slight banding |
Smooth gradients, near zero banding |
| PWM Driving Stability |
Stable for standard rental use |
Ultra-stable for broadcast / cinema use |
| Moire Risk (Camera Interference) |
Medium in certain angles + fast shutter |
Very low, XR / broadcast-grade |
| Camera Compatibility Level |
Phone / DSLR / basic PTZ cameras |
ARRI / RED / Sony CineAlta / broadcast cameras |
| Typical Shutter Range in Use |
1/100 – 1/500 |
1/100 – 1/2000+ |
| Image Stability Score (Practical) |
7.5 / 10 |
9.8 / 10 |
| Control System Requirement |
Standard receiver cards (NovaStar DH series, etc.) |
High-bandwidth systems (NovaStar A10s / Brompton class) |
| Power Consumption |
Baseline (100%) |
+5% ~ +15% higher |
| Cost Difference (Same Spec Class) |
Base price (100%) |
+15% ~ +35% premium |
| Application Scale |
90% of live events, stages, exhibitions |
Broadcast, XR, film production, high-end touring shows |
